What game do we want to play? The fissure of the everyday through post-pornographic performance.

Authors

  • Nicolás Aravena Investigador independiente

DOI:

https://doi.org/10.55443/artilugio.n4.2018.21092

Keywords:

quotidian, virtuality, performance, post.pornographic, issure

Abstract

Everyday life is built on playgrounds through speeches that delimit us, whether on the street or on the internet. These are appropriated from the margins of the public, making us assume that nothing within the neoliberal paradigm stops conditioning the structures we inhabit and know as Reality.

Today, much of the quotidian is directly or indirectly based on the pornographic, and it is there where art must intervene, particularly through post-pornographic performance, which can be key at the time of fissuring normativist structures, and allowing us to deliberate over what game we want to play in our existence.

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Author Biography

  • Nicolás Aravena, Investigador independiente
    Independent Researcher

References

Virgine Despentes, Teoria King Kong (España: Melusina, 2007).

Lucía Egaña, “La pornografía como tecnología de género. Del porno convencional al post-porno. Apuntes freestyle”, La Fuga, 9 (2009), consultado en abril de 2017 en http://2016.lafuga.cl/la-pornografia-como-tecnologia-de-genero/273

Mónica Maritza Gonzáles Ramos, “Porno, pornógrafos, monstruos. Una aproximación pospornográfica al cuerpo Bogotano”, Maguaré, 29, 2 (2015): 71-104, consultado en abril de 2017 en http://revistas.unal.edu.co/index.php/maguare/article/view/61667

Roman Gubern, La imagen pornográfica y otras perversiones (España: Anagrama, 2005).

Beatriz Preciado, Testo Yonqui, (España: Espasa Calpe, 2008).

Pablo Semán, “El posporno no es para que te excites”, Anfibia, (s/d), consultado en abril de 2017 en http://www.revistaanfibia.com/ensayo/el-posporno-no-es-para-que-te-excites/

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Published

2018-09-03

Issue

Section

Reflexiones

How to Cite

What game do we want to play? The fissure of the everyday through post-pornographic performance. (2018). Artilugio, 4, 03-14. https://doi.org/10.55443/artilugio.n4.2018.21092

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