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No. 33 (2024)

Published: 2024-07-05

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Editorial

Editorial Data, Summary and Editorial #33

01-17

Artículos

The construction of motherhood in contemporary series: the case of The Handmaid's Tale (HULU, 2017)

Constanza M. Aguirre, Antonella Golfieri

19-36
Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)

María Soledad Boero

37-54
Does Dall-E dream of electric calves? Art in the Age of Artificial Intelligence

Silvina Jazmín Carnero

55-73
Approaches to the place of contemporary dance in sociology and anthropology of Latin American arts

María del Mar Castillo

75-91
Rethinking the “Open Works” from Music Performance: An interpretation beyond reproduction

Paloma Castro Pavez

93-105
Arts, politics and provocation: between El encierro y La encerrona

Julieta Cebollada

107-124
Process analysis of “Nuestro Vademécum”: conversation and the singular in group creation

Carolina Cismondi

125-149
Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba

Guadalupe Díaz Sardoy

151-168
Nativa: Explorations about contemporary artistic practices in Patagonia and Artist´s Book

Ornella Fasanelli

169-187
Mode(s) of Existence of Dance

Adrián Maximiliano Ferreyra

189-205
Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís

Sandra Ferreyra

207-220
Documentary film, biographical space and political discourse: A reading of ¿Qué queremos hacer? by Les Jóvenes

Nerina Filippelli, Pablo Daniel Sánchez Ceci

221-239
The uncontrollable female body. Modern figures in La Plata´s one-character play «Bajo un sol de sílice»

María Guimarey

241-255
The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting

Florencia Agustina Iribarne Lucato, Damasia Gallegos, Lucas Gheco, Fernando Marte

257-277
Psycho-Affective Itineraries and Experiential Accounts of the Pandemic: the Arts as a Medium of Experience

Diana I Luque

279-296
1+1=3 G.E. Marx Vigo, a third mind

Alicia Madoery

297-313
Thinking of clay with the body: multimodal metaphoric thought in a pottery workshop

Carolina M. Mahler, Alejandra Perié

315-332
Carlos Giambiagi, art critic: affinities, antagonistic stances and relationship with the Argentine art field in the first decades of the 20th century

Nicolás Miranda

333-353
Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images

Manuel Molina, Eugenia Roldán

355-373
Complexities and borrowings between artistic experiences

Claudia Pelera

375-389
Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World

Carla Pessolano

391-402
The sketchs of Antonio Alice. Conmemorations and use of the past. Santa Fe 1943-1944

Juan Bautista Walpen

403-422

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