Dossier presentation: Inscriptions, traces, transfers. Intermediate spaces in Argentine arts and literature
DOI:
https://doi.org/10.55443/artilugio.n9.2023.42240Keywords:
dossier, intermedial perspective, argentine literature, argentine art, cultural fieldAbstract
This dossier aims at discussing Argentine arts and literature both from a theoretical perspective and from a significant set of canonical productions, and other more contemporary ones, that run through the Argentine cultural field of the 20th and 21st centuries. The articles that compose the dossier highlight the heuristic value of the intermedial conception when approaching artistic phenomena in their material, mediatic, semiotic and historical dimensions. Just as art and literature are capable of productively questioning theory, providing elements to mobilize a questioning of sedimented assumptions and categories, an intermedial approach can bring into focus little explored or little visible aspects of the mediations and contacts that already operated between these disciplinary fields, from their very emergence, not as a way to abolish distinctions but to generate a new plethora of tensions, correspondences and spheres of conflict.
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References
Barthes, R. (2004). Lo neutro. Notas de cursos y seminarios en el Collège de France, 1977-1978. Ciudad de México: Siglo XXI.
Méchoulan, E. (2017). Intermedialidad, o cómo pensar las transmisiones. Fábula. La recherche en littérature. Creación, intermedialidad, dispositivo. http://www.fabula.org/colloques/document4278.php.
Prieto, J. (2017). El concepto de intermedialidad: una reflexión histórico-crítica. Pasavento. Revista de Estudios Hispánicos, V(1), invierno. http://www.pasavento.com/pdf/09_0PRESENTACION.pdfpp.9-10.
Rajewsky, I. (2005). Intermediality, intertextuality and remediation: a literary perspective on intermediality. Intermédialités, 6, otoño. https://www.erudit.org/fr/revues/im/2005-n6-im1814727/1005505ar/.
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Copyright (c) 2023 María Fernanda Pïnta, María Stegmayer
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