Appropriating one's own body as a revolutionary act. Interview with Ana Harff

Authors

  • Guillermina Cabra

Keywords:

Feminist photography, Bodies, Portraits, Social networks

Abstract

Ana Harff is a Brazilian photographer who has been living in Buenos Aires, Argentina for 11 years. She identifies herself as a feminist portrait photographer and seeks, with her work, to subvert the traditionally male and hegemonic gaze towards female bodies and identities, as well as the naturalization and non-sexualization of the nude by portraying diverse bodies.

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Author Biography

  • Guillermina Cabra

    Licenciada y Profesora en Historia del Arte (Universidad Nacional de La Plata); Doctoranda en Estudios de Género, Universidad de Buenos Aires (UBA). Tema de investigación: las manifestaciones de arte feminista en Buenos Aires en el siglo XXI (directora María Laura Rosa, codirectora Paola Sabrina Belén).

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Published

2021-03-01

Issue

Vol. 4 (2020): Feminisms and sex-gendered dissidence in Argentina: Genealogies, political imaginaries and (de)constructions of commonness

Section

Interviews

License

Copyright (c) 2021 Guillermina Cabra

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

From 2022: Attribution - Non-Commercial - Share Alike (CC BY- NC- SA 4.0)

From 2011 to 2021: Attribution - Non-Commercial - No Derivative Works (CC BY- NC- ND)

How to Cite

Appropriating one’s own body as a revolutionary act. Interview with Ana Harff. (2021). Polémicas Feministas, 4, 1-12. https://revistas.unc.edu.ar/index.php/polemicasfeminista/article/view/32196

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