No. 30 (2021)

Published: 2021-07-01

Full Issue

PDF (Spanish)

Editorial

Editorial Data, Summary and Editorial #30

Artículos

The acting direction as a relational device Problematización de los procesos creativos de Todo explota un domingo y Destrepando-Llevo todo conmigo.

Verónica Aguada Bertea
Professorship, Open Workshop, People’s School: Attempts for teaching engraving in Cordoba (1936-1943)

Ana Sol Alderete
The pervivence of time in theater rewriting: the “Greeks” case of La Convención Teatro

Penélope Arolfo
Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy

Ana Luisa Bondone, Clementina Zablosky
The artist's book as a meeting space within an experimental laboratory in contemporary graphics

Sara Inés Carpio, Alejandra Fabiana Hernández
Creative Drift: the calculation of the unpredictable

Paula FernándezCaputo
Representation of trans identity in POSE and Las Malas

Emilia Victoria Fossat Blessio
Disputed images. Audiovisual representations of marginality in a prison context

Martín Iparraguirre, Lucía Rinero
What else could we talk about? Artistic events that break out in emergencies

María José Melendo
From the sketch to the thesis. Artistic research in musical composition based on style

Luis Pérez Valero
Changos and Burritos. Local Inflections of a Social Art

Carolina Romano
Voice and performance at the Day of the Dead Festival

María Virginia Romero Messein
Co-existence as an alternative to the nostalgia of co-presence. Prelude... in the context of Preventive and Obligatory Social Isolation

Talma Salem de Oliveira, Micaela Moreno Magliano
Identity performance as a political struggle: a reading of Las malas by Camila Sosa Villada

Gabriela Magdalena Timossi, Camila Aguirre Vallés
The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event

María Victoria Trípodi
Looking from the margins/Filming from the slum: an analysis of César González´s films

Ximena Triquell

Conference

Convivial arts, technovivial arts, liminal arts: pluralism and singularities (event, experience, praxis, technology, politics, language, epistemology, pedagogy)

Jorge Dubatti

Ensayos

Emma, Reinaldo and I. Hair in art, theory and everyday life Summary

Marcelo Nusenovich

No. 30 (2021)

Full Issue

Editorial

Editorial Data, Summary and Editorial #30

Artículos

The acting direction as a relational device Problematización de los procesos creativos de Todo explota un domingo y Destrepando-Llevo todo conmigo.

Professorship, Open Workshop, People’s School: Attempts for teaching engraving in Cordoba (1936-1943)

The pervivence of time in theater rewriting: the “Greeks” case of La Convención Teatro

Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy

The artist's book as a meeting space within an experimental laboratory in contemporary graphics

Creative Drift: the calculation of the unpredictable

Representation of trans identity in POSE and Las Malas

Disputed images. Audiovisual representations of marginality in a prison context

What else could we talk about? Artistic events that break out in emergencies

From the sketch to the thesis. Artistic research in musical composition based on style

Changos and Burritos. Local Inflections of a Social Art

Voice and performance at the Day of the Dead Festival

Co-existence as an alternative to the nostalgia of co-presence. Prelude... in the context of Preventive and Obligatory Social Isolation

Identity performance as a political struggle: a reading of Las malas by Camila Sosa Villada

The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event

Looking from the margins/Filming from the slum: an analysis of César González´s films

Conference

Convivial arts, technovivial arts, liminal arts: pluralism and singularities (event, experience, praxis, technology, politics, language, epistemology, pedagogy)

Ensayos

Emma, Reinaldo and I. Hair in art, theory and everyday life Summary

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