SOME THEORETICAL REFLECTIONS OF CORDOBA FILMMAKERS

Abstract

In this paper, we propose an exercise of the analysis and systematization of some of the theoretical reflections contained in a series of interviews with filmmakers from Córdoba. For it, we do focus on the worldviews exposed by each one and, then, on the mode in which they affect the ways of living, doing and understanding certain dimensions of cinematographic art such as staging, the figure of the artist and the role assigned to the spectator.