No. 31 (2022)

View No. 31 (2022)

ARK: http://id.caicyt.gov.ar/ark:/s27186555/wqx353sa1

Published: 2022-07-01

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Editorial

Editorial Data, Summary and Editorial #31

Artículos

Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work

Jesús Antuña
The Weight of Bits: Re materialization strategies in the post digital Art

Andrés Belfanti
Navigating between precariousness and professionalization: paradoxes and tensions in the field of self-managed performing arts

Ana Laura López, Sabrina Cassini
Collections and heritage: the case of the Castagnino Museum of Rosario City

Julieta Cebollada
Dystopias for an academy in four Argentine novels (De Santis, Jitrik, Aira and Vanoli)

Liliana López
Subtle states, the Impenetrable

Amalia Soledad Martínez
The seductive power. Exhibition networks of photography in Buenos Aires during the 90s

Juliana Robles de la Pava
‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics

María-Cristina Rocca, Carolina Romano
Historical fervor, devotion to traditions and artist imagination. Fine arts and traditional dances under the expansion of folkloric studies in Argentina

Luciano Rondano
The presence of the political in the neokitsch aesthetics of a visual text by Omar Schiliro

Daniela Saco
Future imperfect: crisis, challenges and opportunities in the theatre of Tucumán facing Covid-19 pandemic

Pablo Salas Tonello
Dwelling in the net: a study on collective musical practices

Andrea Sarmiento, María Belén Silenzi
Hamlet or the rationality of boredom

Fabián Humberto Zampini

Ensayos

An aproximation to the space and time in the modernity coloniality

Juan Arrieta
End of town: plastic biography of Aldo Magnani

Guillermo Fantoni
Art Concret and Architecture. A new concept of Space

Fernando Fraenza, Natalia Destéfanis
Writing in crisis, reading in a pandemic: Los llanos of Federico Falco

María Elena Legaz
Solemn gestures and festive actions: struggles for cultural legitimacy at the beginning of the 20th century

Lorena V. Mouguelar
From Lilith to Lulu. “Feminine evil” in culture and the arts

Marcelo Nusenovich