THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF
Keywords:
performance, becoming, difference, singularityAbstract
In this writing we will observe practices proposed by Professor Paco Giménez in his classes of Actoral Training III of the Degree in Theater of the Faculty of Arts of the UNC and that have the objective of facing the student to a different production of himself for the production of a becoming-diverse to what has been exposed so far during his career journey. We will reflect on the value of the production of differences in creation, based on the words of the teacher and the observation of their classes, analyzing some of the proposed exercises and discovering the conceptions that sustain them. The teacher's proposal is based on a look at the actor/actress as a dramatist and a builder of his own events on the scene, a methodology deeply rooted in Córdoba and from which Paco Giménez has become one of his greatest referents.
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Deleuze, G. y Guattari, F. (2012). Mil mesetas. Capitalismo y esquizofrenia. Valencia: Pre-Textos.
Nancy, J.-L. (2014). ¿Un sujeto? Adrogué: La cebra.
Valenzuela, J. L. (2004). Las piedras jugosas. Aproximaciones al teatro de Paco Giménez. Buenos Aires: INT.
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- 2020-07-02 (2)
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Copyright (c) 2020 Dr. Marcelo Comandú
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