Contemporary Art Market: towards a critical sociology.

Authors

  • Kevin Cabrera Zapata Facultad de Artes. Universidad Nacional de Córdoba

DOI:

https://doi.org/10.55443/artilugio.n4.2018.21063

Keywords:

naturalized practices, directed practices, survival practices, overflow practices, dialogical practices

Abstract

The relationships between the actors involved in the management and participation of the Art Market have been able to account for a series of practices that result from this interaction with others:
Naturalized Practices, based on strongly rooted traditionalisms of the art field, founders of concepts and values that define and predetermine artistic projects. The Directed Practices, those that aim towards particular objectives and entail specific and controlled responses. The Survival Practices, which appear in order to maintain positions and ensure roles within the event, avoiding being left out by being rejected. The Overflow Practices, caused by leaking conflicts through fissures within the organization of the event. The Dialogical Practices result from the interaction between art professionals what contributes to establish ties and extend business and labor contacts.
This paper analyzes such practices.

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Author Biography

  • Kevin Cabrera Zapata, Facultad de Artes. Universidad Nacional de Córdoba

    Artista Visual. Profesor Superior en Artes Plásticas (UNC). Tesista de Licenciatura en Artes Visuales-Escultura (UNC). Voluntario, adscripto y ayudante alumno. Docente tallerista en talleres de Artes Visuales y Fotografía. Emprendedor y Gestor Cultural. Ecologista. Fotógrafo.


References

Boris Groys, Arte en Flujo. Ensayos sobre la evanescencia del presente (Buenos Aires: Caja Negra, 2016).

Jorge López Anaya, Historia del arte argentino. (Buenos Aires: Emecé, 1998).

Simón Marchán Fiz, Estética en la cultura moderna. De la Ilustración a la crisis del Estructuralismo (Barcelona: Gustavo Gili, 1982).

Simón Marchán Fiz, “Epílogo sobre la sensibilidad ‘posmoderna’”, en Del arte objetual al arte de concepto (1960-1974) (Madrid: Akal, 1997).

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Published

2018-09-03

Issue

Section

Reflexiones

How to Cite

Contemporary Art Market: towards a critical sociology. (2018). Artilugio, 4, 15-26. https://doi.org/10.55443/artilugio.n4.2018.21063