The production process of Cucaracha
DOI:
https://doi.org/10.55442/tomauno.n10.2022.39185Keywords:
Stop motion, Kafka, The Metamorphosis, AV ProductionAbstract
The text tells about the production process of Cucaracha, a short fiction film made with stop motion technique. The writing focuses on the visual and sound aspects of the production of the film, it is proposed to account for the non-linear, dialectical and spiral nature of the process of artistic creation. For that, it describes and establishes relationships between the different formal decisions that the work team was taking throughout the production process. Decisions that often do not follow a logical order in time, but are taken arbitrarily to find their justification in later stages.
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References
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Sáenz Valiente, R. (2006). Arte y técnica de la animación: clásica, corpórea, computada, para juegos o interactiva. Buenos Aires: Ediciones de la flor.
Siragusa, C. (2015). Memorias Del 1° ateneo Internacional de Investigadores de la Red Latinoamericana de Estudios de Animación Sur a Sur. Universidad Nacional de Villa María. Recuperado el 10/10/2022 de
http://biblio.unvm.edu.ar/opac_css/index.php?lvl=cmspage&pageid=9&id_notice=35305.
Wells, P. (2009). Fundamentos de la animación. Barcelona: Parramon.
Filmografía
Bou Grasso, S. (Dir.) (2013). Padre [cortometraje]. Argentina. Les Films de l’Arlequin, Opusbou.
Murnau, F. (Dir.) (1922). Nosferatu, eine Symphonie des Grauens [largometraje]. Alemania: Jofa-Atelier Berlin-Johannisthal, Prana-Film GmbH.
Touriño, A. (Dir.) (2020). Cucaracha [cortometraje]. Argentina: A, Touriño, E. Ayala, M. Deon y E. Gutierrez.
Whale, J. (Dir.) (1931). Frankenstein [largometraje]. Estados Unidos: Universal Pictures.
Park, N. (Dir.) (1993). Wallace & Gromit. The Wrong Trousers [cortometraje]. Reino Unido: Aardman Animations, BBC Bristol.
Scott, R. (1979). Alien [Largometraje] Estados Unidos y Reino Unido: 20th Century Fox y Brandywine Productions.
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This work is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Argentina .
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