Political activism of communal audiovisual creators in Mexico and construction of gender equality discourse.

Authors

  • Aleksandra Jablonska National Autonomous University of Mexico

DOI:

https://doi.org/10.55442/tomauno.n5.2016.17210

Keywords:

Community videographers, Identities, Gender equality, Gender violence

Abstract

The article analyzes five films that address the issue of gender equity made by a group of videomakers called Ojo de Agua Communication.

Although this group lives in Oaxaca , the Mexican state with greater community tradition and Ojo de Agua Communication adopts its organization, working methods and topics covered, his documentaries, with one exception , show women as victims of the political system and their own cultures.

We attribute this circumstance to the traditional way of making films, in which the dominant voices belong to the filmmakers narrators and the experts and not women who should be the protagonists of the film speeches.

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Author Biography

  • Aleksandra Jablonska, National Autonomous University of Mexico

    Es Doctora en Historia del Arte,. Se desempeña como profesora-investigadora en la Universidad Pedagógica Nacional y en el Posgrado de Estudios Latinoamericanos en la Universidad Nacional Autónoma de México. Ha publicado últimamente La Revolución mexicana en el cine estadounidense: 1911- 1921, México, 2014, Voyeur/ Juan Pablos Editores (libro en coautoría), así como un artículo en revista arbitrada: “Historia e imaginario de la Conquista en Barroco de Paul Leduc”, en: La Colmena. Revista de la Universidad Autónoma del Estado de México, núm. 89, 2016, pp. 33-45. 

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Published

2017-06-15

How to Cite

Political activism of communal audiovisual creators in Mexico and construction of gender equality discourse. (2017). Toma Uno, 5, 133-146. https://doi.org/10.55442/tomauno.n5.2016.17210

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