From El Saco to Los Relatos del Termo Luz Milagro

Similar Articles

• Pedro Sorrentino, Women and first films in Argentina: an academic vacancy from an unprejudiced approach , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
• Victoria Inés Suárez, Metaphor of contemporary alienation in an animated key , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
• Caleb Calvo, It's hard to be a body , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
• Ignacio Jairala, Inside violence: animating memory through the Beast , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
• María Lorenzo Hernández, The transforming power of animation on Street Art , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
• María-Constanza Curatitoli, Materialities and expressiveness in Latin American short films with stop motion techniques , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
• Maitane Junguitu Dronda, Lead female characters in animated feature films: the case of the movies by Juanba Berasategi , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
• Lior Zylberman, Documentary film and the Animated Turn. Ruptures and Continuities , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
• María Aparicio, Make illusions true , Toma Uno: No. 9 (2021): Politics, the political, policies, in Cinema and Audiovisual Arts
• Martín Iparraguirre, A history of infamy , Toma Uno: No. 9 (2021): Politics, the political, policies, in Cinema and Audiovisual Arts

You may also start an advanced similarity search for this article.