No other land is more beloved, of the Homeland in the extension.

Authors

Julieta Maldonado Universidad Nacional de Córdoba

DOI:

https://doi.org/10.55442/tomauno.n6.2018.20916

Keywords:

Film review, Rodrigo Fernández Engler

Abstract

Review of the film Soldado argentino sólo conocido por Dios (Rodrigo Fernández Engler, 2016)

Downloads

Download data is not yet available.

Author Biography

Julieta Maldonado, Universidad Nacional de Córdoba

Técnica productora en medios audiovisuales y actualmente está finalizando la Licenciatura en Cine y Televisión en la Facultad de Artes de la Universidad Nacional de Córdoba. Participa como ayudante alumna en la cátedra de Análisis y Critica, de la misma casa de estudios. Se ha desempeñado en el área de producción de trabajos como El Edén y Renacer.

Downloads

PDF (Spanish)

Published

2018-11-01

Issue

No. 6 (2018): Breakthrough cinemas: New ways of making and thinking about cinema throughout history.

Section

FILM REVIEWS

License

Copyright (c) 2018 Julieta Maldonado

This work is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Argentina .

How to Cite

No other land is more beloved, of the Homeland in the extension. (2018). Toma Uno, 6, 238-239. https://doi.org/10.55442/tomauno.n6.2018.20916

Download Citation

Crossref

Scopus

Google Scholar

Europe PMC

Similar Articles

Ximena Triquell, Pensar “con el cine” una vez más: tercer libro del equipo de Cine, Política y Derechos Humanos , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Ana Inés Echenique, Paola Marcela Vargas Camargo, Plots between the documentary series La misma tierra. Bolivianos en Argentina (1986) and politics at the beginning of democracy: memory, representations and borders , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Marcela Visconti, The pulse of a time. Affective and activist networks for women’s film (Argentine, 1988) , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Juan Manuel Velis, Retrospectives of La Plata cinema: politics and aesthetics in three films , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Cristina-Andrea Siragusa, Editorial Data No. 10 , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
Cristina-Andrea Siragusa, Alejandro R. González, Editorial #10. Animation as artistic, cultural, social and communication phenomenon , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
Santiago González-Dambrauskas, Federico Beltramelli, Walter Tournier and the animated films of Imágenes , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
Sergio Michelazzo, All for see , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
Pedro Sorrentino, Women and first films in Argentina: an academic vacancy from an unprejudiced approach , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
Victoria Inés Suárez, Metaphor of contemporary alienation in an animated key , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon

Previous 11-20 of 269 Next

You may also start an advanced similarity search for this article.