Hanging by a thread

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Published: Dec 19, 2022

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Marcela Cecilia Marín
Consejo Nacional de Investigaciones Científicas y Técnicas
https://orcid.org/0000-0003-3144-9129

Abstract

About: Speranza, G. (2022). Lo que no vemos, lo que el arte ve.

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Article Details

How to Cite
Marín, M. C. (2022). Hanging by a thread. Heterotopías, 5(10), 321-328. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39766
Issue
Vol. 5 No. 10 (2022): River matter. Aesthetic-political configurations of American watersheds.
Section
Reseñas
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Author Biography

Marcela Cecilia Marín, Consejo Nacional de Investigaciones Científicas y Técnicas

Holds a Bachelor's Degree in Literature and Literary Proofreader (FFYH-UNC). Recently, she has a PhD in Literature (CONICET-CIFFYH). In her doctoral thesis she has worked on (Re)territorialidades Comunitarias. Another sociodiscursive reading of possible articulation between territorial and community processes in the implementation of mega-mining in Chubut, Argentina, directed by Dr. Mirta A. Antonelli and co-directed by Dr. Bernardo Mançano Fernandes. She is currently working as a CONICET postdoctoral fellow at the Research Center of the Faculty of Philosophy and Humanities (CIFFYH) and is working on Literature among social movements: an intercultural aesthetics of resistance(s), directed by Dr. Daniel Mato and co-directed by Mirta A. Antonelli.

Email: marcecimarin@gmail.com

How to Cite

Marín, M. C. (2022). Hanging by a thread. Heterotopías, 5(10), 321-328. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39766

References

Coccia, E. (2017). La vida de las plantas. Una metafísica de la mixtura (Trad. G. Milone). Buenos Aires: Miño y Dávila.

Didi Huberman, G. (2020). Cómo abrir los ojos. En Faroki, H. Desconfiar de las imágenes (pp. 13-35). Buenos Aires: Caja Negra.

Parikka, J. (2021). Una geología de los medios. Buenos Aires: Caja Negra.

Speranza, G. (comp.) (2019). Futuro Presente perspectivas desde el arte y la política sobre la crisis ecológica y el mundo digital. Buenos Aires: Siglo XXI editores.

Speranza, G. (2022). Lo que no vemos, lo que el arte ve. Buenos Aires: Anagrama.