Non-discursive creation: painting/film
DOI:
https://doi.org/10.55442/tomauno.n2.2013.9327Keywords:
Cinema, Painting, Artistic practice, Visibilities, ÉnoncésAbstract
This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a field, a discipline –in short, a practice–. In this context, our goal is to discover some unique creative operations –that is, proper, exclusive– of which, almost without a doubt, can be estimated a capital object for our culture. We thus explore certain existing links between film and painting on the horizon traced by these thinkers.Downloads
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Published
2013-10-26
How to Cite
Giménez Hermida, M. A. (2013). Non-discursive creation: painting/film. Toma Uno, (2), 61–73. https://doi.org/10.55442/tomauno.n2.2013.9327
Issue
Section
THINKING CINEMA
License
This work is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Argentina .