New Argentine Cinema and New Cordobés Cinema: Contextual elements of both phenomena, and formal traits in the representative films: Pizza, birra, faso y De caravana

Abstract

In the present paper, I adress the analysis of two argentinian films that were pioneering of the movements called Nuevo Cine Argentino and Nuevo Cine Cordobés.

The hyphotesis that I am try to maintain refers to the difficulty of reaching agreement between critics, filmmakers and audiency about the consistency of these movements. Also, I am taking into account the concepts about the novelty, the represented worlds and the esthetic decisions in wich film.

I turn to theorical texts on specific papers where it is exposed the discussion. In this way, I am trying to expose the context of the particular films analyzed.