El Dorado myth: the potency of the audiovisual archive to think the contemporaneity
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Abstract
The following paper seeks to investigate El Dorado myth and its resonances in different areas. At first, we present its origins and a brief historicization of its emergence to analyze how the myth has been functional to colonizing and later capitalist projects. In relation to this, we analyze a corpus of statements extracted from the Emilia Pardo Bazán’s chronicle “La leyenda de la codicia. Una expedición al Dorado” (1982) to think about the construction of the myth and the colonial perspective on America. Within the same corpus, we insert the statement “el litio es el nuevo Dorado”, extracted from a news article from Página 12 (2023) to think about the resonances of the myth today and its problems. In this way, we analyze El Dorado in its audiovisual archive dimension in order to reflect on its powers to hacer-decir and hacer-ver. Next, we reflect on the surviving remains in the archive and analyze how El Dorado is represented in the artistic exhibition of the Fundación Proa (2023) and how it dialogues with the corpus of statements. Finally, we risk our own reading and try to give an answer to the question: What are the potencies of El Dorado myth as an audiovisual archive to think about contemporaneity?
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References
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