Paloma's steps

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Mercedes Alonso
Patricia Zangaro

Abstract

An empty and full stage. Cardboard boxes that keep secrets of the soul, sighs of longing. A handful of memories that bleed, that punish, that lacerate. Paloma flapped her wings in the open ocean. She wanted, she fought, she struggled. She sought, together with her colleagues, to build a more humane, more just world. She then went to Peru with her libertarian passion and her literacy mission. She returned to her Buenos Aires with the same rudder and the same compass. She recited to the sky her love, her hope and her gratitude for life. Life just because, no more and no less than that. Cardboard boxes that become a cave, a cave that is a womb and a nest. The only place where Mercedes can protect herself and let her ever new, always eternal tears flow. Because there is a gypsy law that says that if they kill the person, you love the most, it's better that you don't know where, or when, or why. Cardboard boxes that become a wall, that become stone. How to scream so much pain? Mercedes explores the words of her sister Paloma and those of her mother from the depths of her own existential land. A sister that she does not understand, who delves into the abyss, who remains hanging in the tears of a macabre absence. A mother who suffers like a wounded animal because they have killed one of her babies. Among them, a dove that draws the contours of a better world. More human, more free, united with life.


(Silvina Pizarro, gacetilla de prensa de Los pasos de Paloma, 2013)


 

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Article Details

How to Cite
Alonso, M., & Zangaro, P. (2023). Paloma’s steps. Heterotopías, 6(12), 1-27. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43518
Section
Textures
Author Biographies

Mercedes Alonso

Mercedes Alonso (Buenos Aires, 1961) is an actress, goldsmith, designer and cultural manager. She trained in theater, since 1976, with Alessandro Fersen (Rome); Zulema Katz and Dominique de Faccio (Madrid); in Buenos Aires, with Agustín Alezzo; Augusto Fernández; Julio Bocca; Juan Carlos Gené; Carlos Gandolfo; Carlos Rivas; Laura Yusem; and is currently attending singing and theater workshops at Fundación SAGAI. In theater, she was an actress in the following plays: El romance inestable de la ilusión (Centro de la Villa, Madrid, 1981); Antonio Gasalla y sus mejores personajes (dir. Antonio Gasalla, Teatro Odeón, 1983); El Campo, by Griselda Gámbaro (dir. Alberto Ure, Teatro Nacional Cervantes, 1985); nominated for the Silver Condor for her performance in Los días de Junio (dir. Alberto Fischerman, 1986-1990). In cinema, she acted in films such as: El juguete rabioso (dir. José María Paoloantonio, 1984); Correccional de Mujeres (dir. Emilio Vieyra, 1987); Chorros (dir. Jorge Coscia and Guillermo Saura, 1988); La obra inconclusa (actress and art director, 2018). In television, she participated in: Cuando vuelvas a mí (Channel 11); Claudia Moran (Channel 11-Puerto Rico); Tu mundo y el mío (co-production with Venezuela); Pasiones (Channel 9); Rebelde (Telefé).

In 2006, she graduated as goldsmith and contemporary jewelry designer (Escuela Nacional de Orfebrería). In 2007, she is hired by Zurbaran to form a school for children in the Quinquela Martin Mega-exhibition (Palais de Glace). In 2009, she coordinates the Paloma Alonso Biennial (Hoy en el Arte Gallery). She makes cultural contributions to various exhibitions. In 2012, she begins her work as an actress and manager of her own project, Los pasos de Paloma (dramaturgy by Patricia Zangaro; directed by Laura Yusem). She represents, in different activities, her father, the great artist Carlos Alonso.

E-mail: lospasosdemercedes@gmail.com

Patricia Zangaro

 

Patricia Zangaro (Buenos Aires, 1958) is an Argentine playwright and dramaturgy teacher. Among others, she has presented the following plays: Today is the dead’s debut; Auto da fe... behind the scenes; Rains’time; The edge and Last moon; Africa, a continent; Tango; Night duet; The barber of Suez; Libertins, etc. She has worked as a dramaturg at the San Martín Theatre and the Cervantes National Theatre together with the directors Robert Sturua, Lluís Pasqual, Jorge Lavelli and Leonor Manso. Her play Apropos of doubt staged by Daniel Fanego in 2000 initiated the seasons of Teatro por la identidad which accompanies since then the struggle of the Grandmothers of Plaza de Mayo in the search of their grandchildren. Her plays have gained several awards and they have been plublished and translated into French, Portuguese, Italian and English. From 2010 to 2020 she was the Director of the Masters in Dramaturgy at the National University of Arts, UNA (Buenos Aires).

 

Correo electrónico: patricia.zangaro@gmail.com

How to Cite

Alonso, M., & Zangaro, P. (2023). Paloma’s steps. Heterotopías, 6(12), 1-27. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43518