Revivir para la muerte. Los fantasmas de la historia en los últimos espectáculos de Jorge Villegas
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Abstract
In this work we integrate the work of the Cordovan playwright and director Jorge Villegas within the Argentine post-dictatorship theater (Dubatti 2008) through a reading of the latest shows that he is putting on simultaneously in the first half of 2023 (La noche como navío , at the La Chacarita theater; La piel y la rabia, in La nave escénica; El odio, about to premiere in June, also at La Chacarita). These plays refer to an explicit offstage reference as they revive traumatic events of history (Córdoba, Argentina and universal) and can be observed as forms of theater of death (Dubatti, 2014) the poetics of the cadaveric (Musitano, 2011) or the necrotheater (Dieguez, 2014) as exhibitions of specters recognized by the viewer for the reconstruction of his death; theatrical recreation of the ghosts of history that are displayed for ask justice “…as a political object (…) as an activator(s) of memory, as a strategy of resistance to oblivion…” (Bixio, in Musitano, 2011: 14)
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References
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