VOLVERSE BARRO: Contemporary Artistic Practices in Territory, Victoria Entre Ríos. Artivisms, performance and vital arts

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Published: Jun 30, 2023
Keywords:
Artivism, camps, territorialization, desire, situated practices

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Kekena Corvalán
Universidad del Museo Social Argentino

Abstract

In this article we will take as a starting point the experience of the First National Meeting of SOSBARRO Artists, made of hills, (Victoria, Entre Ríos, from March 26 to 31, 2023) based on affective curatorship as territorialization of desire, analyzing its performative location situated and artivist, its possibility of sensitive critical theoretical production, its testing of ways and strategies to share performance encounters and contemporary artistic practices in our country. Based on ethnographic and autoethnographic investigations, theoretical, methodological and epistemological aspects will be worked on to think about the singular and collective articulation in a community experience of undisciplined research.

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VOLVERSE BARRO: Contemporary Artistic Practices in Territory, Victoria Entre Ríos. Artivisms, performance and vital arts. (2023). Heterotopías, 6(11), 1-16. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41659
Issue
Vol. 6 No. 11 (2023): "Poetics of interruption: feminist aesthetic-political practices and sexual disobedience in/from the South".
Section
Dossier
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Author Biography

Kekena Corvalán, Universidad del Museo Social Argentino

Kekena Corvalán, @kekenacorvalan, teacher, writer and feminist curator. She is a professor at the Universidad del Museo Social Argentino. He has carried out numerous curatorial narratives, in spaces and museums in the city of Buenos Aires, La Plata, Bahía Blanca, Coronel Suárez, Rosario, Córdoba, Santiago del Estero, Neuquén, Río Gallegos, Resistencia, Caracas, Lima and Montevideo.

Managed and curated two editions (2019-2020) of the collective, transfeminist and federal exhibition #paratodestode. He held the exhibition Sala Propia (2018), at the National Museum of Fine Arts of Neuquén, where he achieved a comprehensive reading of all the works of female artists and dissidences present in the heritage of a museum. He designed and curated four editions of the Campamento Artístico Curatorial in Río Gallegos (Santa Cruz, 2019) Coronel Suárez (Prov. Buenos Aires, 2020), Resistencia (Chaco 2021) and Costa Riojana (La Rioja, 2022). Director of the Cuarencharlas, a daily virtual space for the meeting of artists, educators, managers, curators during the pandemic. It forms part of the curatorial collective Curadoras en Trance, since it produces exhibitions together with the Museo Pettoruti de La Plata.

Published Latin American Artists, a tour of conceptual dialogues (Wifredo Lam, Cuba), Historias de Cabeza Partida (Ediciones del Bien), Afective Curatoría (Cariño Ediciones), Curadurías del Fin del Mundo (Autoras en Tienda), participating in several compilations of texts national and international.

How to Cite

VOLVERSE BARRO: Contemporary Artistic Practices in Territory, Victoria Entre Ríos. Artivisms, performance and vital arts. (2023). Heterotopías, 6(11), 1-16. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41659

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