Strategies of feminisms and sexual dissidence for an unruly south

Article Sidebar

Imagen creada por el Colectivo" Costuras Urbanas"
PDF (Spanish)
Published: Jun 30, 2023
Keywords:
Feminismo; desobediencias sexuales; interrupciones; estética; política; sur, Feminisms; sexual disobediences; interruptions; esthetic; policy; south

Main Article Content

María Laura Gutiérrez
Universidad Nacional de Entre Ríos. CONICET
María Angélica Vega
Universidad Nacional de Córdoba
Sandra Mutal
Universidad Nacional de Córdoba. Facultad de Artes
Costuras Urbanas
Colectivo creador de la imagen del Dossier

Abstract

The dossier explores political and aesthetic practices of feminisms and sexual dissidents from the South, bringing different artists, academics, and activists from different locations into dialogue, coattaching locus of enunciation ranging from the north of Chaco or the Entre Rios coast to the southern province of Neuquén or from the coastal city of Mar del Plata to the Mendoza mountain range, passing through the Córdoba, Rosario, La Plata, Buenos Aires power plants, as well as receiving works produced from Santiago de Chile or São Paulo in Brazil.

Downloads

Download data is not yet available.

Article Details

How to Cite
Gutiérrez, M. L., Vega, M. A., Mutal, S., & Urbanas, C. (2023). Strategies of feminisms and sexual dissidence for an unruly south. Heterotopías, 6(11), 1-9. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41544
Issue
Vol. 6 No. 11 (2023): "Poetics of interruption: feminist aesthetic-political practices and sexual disobedience in/from the South".
Section
Dossier
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Those authors who have publications with this journal, accept the following terms: Those authors who have publications with this journal, accept the following terms:


a. The authors will keep their copyright and guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution - Non-Commercial - Share Alike (by-nc-sa) Attribution License; no commercial use of the original work or any derivative works is allowed, the distribution of which must be done with a license equal to the one that regulates the original work.

b. Authors may adopt other non-exclusive license agreements for the distribution of the published version of the work (e.g., deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this journal is indicated.

c. Authors are allowed and recommended to disseminate their work through the Internet (e.g. in institutional telematic archives or on their website) before and during the submission process, which may lead to interesting exchanges and increase the number of citations of the published work. (See The effect of open access).

 

Author Biographies

María Laura Gutiérrez, Universidad Nacional de Entre Ríos. CONICET

She holds a PhD in social sciences from the UBA and is a lesbian feminist activist. She currently teaches undergraduate (UADER) and graduate (UNSAM-UNCuyo) and is an assistant researcher for CONICET at the National University of Entre Ríos (UNER). Her work addresses the intersections between sexual disobedience movements and feminisms with artistic and cultural practices and contemporary political theory and has been published in national and international journals. She is a member of the Art, Culture and Politics Group directed by Ana Longoni and co-directed by Cora Gamarnik (IIGG-UBA) and the Family, Gender and Subjectivities Studies Group (UNMdP). In 2022 she published the book Imágenes de lo posible. A discontinuous genealogy of lesbian and feminist interventions in Argentina.

María Angélica Vega, Universidad Nacional de Córdoba

She is a PhD in Literature, head of practical work in the subjects Introduction to Literature and Theory of Social Discourses I of the School of Letters of the Faculty of Philosophy and Humanities of the National University of Cordoba (FFYH.UNC). She worked as assistant professor in charge of Panoramas and contexts of aesthetic trends at the National University of La Pampa (UNLPAM). She published Construcciones discursivas de la revolución: entre formaciones discursivas de pre-dictadura y ficciones de post-dictadura (2022) and No vayas a la escuela porque San Martín te espera (2023). She directs the research team "Materiales estéticos y críticos recientes del sur en revueltas desde perspectivas feministas y descoloniales" based at the Centro de Investigación de la Facultad de Filosofía y Humanidades de la Universidad Nacional de Córdoba (CIFFYH.UNC). She is a union delegate of Letters in the union of university teachers and researchers of Córdoba (ADIUC).

 

Sandra Mutal, Universidad Nacional de Córdoba. Facultad de Artes

She graduated from the Escuela Provincial de Bellas Artes Dr. Figueroa Alcorta and from the Universidad Nacional de Córdoba with a degree in Printmaking (UNC). She teaches at the Department of Visual Arts of the Faculty of Arts of the UNC. She develops research and extension projects in that institution. She was Undersecretary of Culture of the UNC; Director of the Department of Visual Arts of the Faculty of Arts of the UNC and Deputy Secretary of the union of university teachers of Córdoba (ADIUC). She has organized events of reflective artistic practice such as Intervention /Installation with the artist Juan Carlos Romero "41 years after the anniversary of the Trelew massacre"; "Art and Politics", Postgraduate Course (Prof. Ana Longoni and Luis García); University teachers' union ADIUC; "The radical political imagination", Seminar workshop given by Marcelo Expósito (Spain); Conference by Dr. Anna María Guasch (Spain) "The memory of the "Other"; in the era of the global". She is a member of artist collectives: from 1997 to 2000 Costuras Urbanas; from 2001 to 2018, the group Urbomaquia; from 2012 to the present the collective Bordamos por la Paz Córdoba; in 2022 Las Bío Diversas. She researches, works and defines her artistic production as "experiences of action and resistance as a response to so much violence", accompanying different moments of struggle in Argentina, where individual and collective disputes that confront the dominant ideology are put into play. He proposes a way of doing where the process of creation, its relationships, and its modes of circulation play a role. He thinks of the artistic experience as a situated practice. His work retakes the Benjaminian concept of montage through which new ties and meanings are built, directing the artistic action to question the social fabric. He has participated in numerous exhibitions/interventions at local, national and international level and his work is reflected in books, media, documentaries and social networks.

How to Cite

Gutiérrez, M. L., Vega, M. A., Mutal, S., & Urbanas, C. (2023). Strategies of feminisms and sexual dissidence for an unruly south. Heterotopías, 6(11), 1-9. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41544

References

Butler, Judith (2019). Cuerpos aliados y lucha política. La performatividad de la asamblea. Buenos Aires: Paidós.

—- (2006). Vida precaria. El poder del duelo y la violencia. Buenos Aires: Paidós.

De Lauretis, Teresa (2001). Cuando las lesbianas no éramos mujeres. Córdoba: Bocavulvaria. Traducción de gaby herczeg.

flores, val (2013). Interruqciones. Ensayos de poética activista. Escritura, política, educación. Neuquén: La mondonga dark.

—- (2019). Una lengua cocida con relámpagos. Buenos Aires: Hekht.

Giorgi, Giorgi (2020) “Arqueología del odio. Escrituras públicas y guerras de subjetividad” en Gabriel Giorgi-Ana Kiffer (2020) Las vueltas del odio. Gestos, escrituras, políticas. Buenos Aires: Eterna Cadencia.

Gutiérrez, Laura (2022). Imágenes de lo posible. Una genealogía discontinua de intervenciones lésbicas y feministas en Argentina (1986-2013). Córdoba: Asentamiento Fernseh.

Morgan, Lucas (2013). “Aquí se escribe (y se corta) con la lengua”, en flores, v. Interruqciones. Neuquén: La mondonga dark.

Moxey, Keith. El tiempo de lo visual. La imagen en la historia (2016). Vitoria Gasteiz-Buenos Aires: San Soleil ediciones.