mAtriZ ColectivA, acciones buenalistas between 2019 and 2022
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Abstract
This paper tries to recover the actions carried out by the mAtriZ collectivA collectivA, made up of feminist artists from the city of Mar del Plata between 2019 and 2022. From a subjective perspective, told in the first person, it is an attempt to systematize actions in the public space and in formal spaces of secondary and higher education. The work recovers the objectives of the first actions, the way in which the rump was formed and how it was changing in these years. It addresses the limits between engraving as a canonical discipline and the overflows that occur in the collective doing proposed by buenalist actions. It also reviews his registration in the local artivisms from Ni una Menos to date and his participation in the militancy for the ESI within secondary education. This review of the actions proposes new ways of thinking about artistic practices in relation to feminisms and the city's field of art. The proposals of the workshop in the public space question the concepts of artist and authorship and dynamize the forms of appropriation and circulation of engraving today. The chronological order reviews the fervor of the first actions, the difficulties raised in the COVID pandemic, the invention of other forms of action during 2020 and 2021 and the incorporation of writing and archival work today
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References
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Ros Puga, S. (2022). “Matriz Colectiva” una experiencia de taller de Grabado en Estudiantes por la ESI [Ponencia en las Jornadas Internacionales de investigación y formación en artes, organizadas por la EAyP, UNSAM.].
Video de matriz colectiva en YouTube: https://www.youtube.com/watch?v=_XkMUV0afKY
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