THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF

Authors

  • Marcelo Comandú Universidad Nacional de Córdoba

Keywords:

performance, becoming, difference, singularity

Abstract

In this writing we will observe practices proposed by Professor Paco Giménez in his classes of Actoral Training III of the Degree in Theater of the Faculty of Arts of the UNC and that have the objective of facing the student to a different production of himself for the production of a becoming-diverse to what has been exposed so far during his career journey. We will reflect on the value of the production of differences in creation, based on the words of the teacher and the observation of their classes, analyzing some of the proposed exercises and discovering the conceptions that sustain them. The teacher's proposal is based on a look at the actor/actress as a dramatist and a builder of his own events on the scene, a methodology deeply rooted in Córdoba and from which Paco Giménez has become one of his greatest referents.

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References

Deleuze, G. y Guattari, F. (2012). Mil mesetas. Capitalismo y esquizofrenia. Valencia: Pre-Textos.

Nancy, J.-L. (2014). ¿Un sujeto? Adrogué: La cebra.

Valenzuela, J. L. (2004). Las piedras jugosas. Aproximaciones al teatro de Paco Giménez. Buenos Aires: INT.

Published

2020-06-01 — Updated on 2020-07-02

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How to Cite

Comandú, M. (2020). THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF. Avances, (29), 71–88. Retrieved from https://revistas.unc.edu.ar/index.php/avances/article/view/28735 (Original work published June 1, 2020)

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Artículos