Corredor Rojo: fictions, spaces and real characters

Authors

  • Paula Compagnucci National University of Cordoba

DOI:

https://doi.org/10.55442/tomauno.n5.2016.17211

Keywords:

Villa El Libertador, Doc-fic, Collective process, Sensibility, Representation

Abstract

This article presents some of the reflections that arose during the Red Lane’s creative process, film developed by students and graduates of the Faculty of Arts (UNC) along with the residents of Villa El Libertador, a suburb located in the South area of Cordoba City.

The creative process involved a collective work experience officiated in roles that took over four years, which enabled the debate about the ways the people who inhabit these place are (re)presented.

One result of this complex act of creation was the creation of a film in the form of a doc-fic which allowed us to reflect about the modes of expression, in order to transmit an experiential practice based on the events of creative construction, preserving a sensible and conceptual film and process. 

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Author Biography

Paula Compagnucci, National University of Cordoba

Nacida el 27 de Enero de 1991 y oriunda de Las Acequias -pueblo del sur de la provincia de Córdoba- egresada de la Tecnicatura de Producción en Medios Audiovisuales y estudiante avanzada de la Licenciatura de Cine y TV en la Facultad de Artes de la Universidad Nacional de Córdoba. Allí se desenvuelve como Ayudante Alumna de la Cátedra de Realización Audiovisual III y de la Cátedra de Montaje. Realizadora audiovisual de cortos y largometrajes de carácter independiente con anclaje territorial. 

Published

2017-06-15

How to Cite

Compagnucci, P. (2017). Corredor Rojo: fictions, spaces and real characters. Toma Uno, (5), 147–154. https://doi.org/10.55442/tomauno.n5.2016.17211