We are invited to tea

Authors

Alejandro Rodrigo González University of Córdoba National University of Villa María

DOI:

https://doi.org/10.55442/tomauno.n5.2016.17217

Keywords:

Reviews, Publishing, Animation, Irene Blei, Canada Frame by Frame

Abstract

Estamos invitados a tomar el té

Reseña del libro Canadá cuadro a cuadro. Animadores y animadoras del National Film Board, de Irene Blei. Wolkowicz Editores. 2014. Buenos Aires.

Downloads

Download data is not yet available.

Author Biography

Alejandro Rodrigo González, University of Córdoba National University of Villa María

es docente concursado (UNC, UNVM) e investigador en el área de Animación. Director del Festival Internacional de Animación de Córdoba, ANIMA.

Downloads

PDF (Spanish)

Published

2017-06-15

Issue

No. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual

Section

BOOK REVIEWS

License

This work is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Argentina .

How to Cite

We are invited to tea. (2017). Toma Uno, 5, 219-220. https://doi.org/10.55442/tomauno.n5.2016.17217

Download Citation

Crossref

Scopus

Google Scholar

Europe PMC

Similar Articles

Cristina Andrea Siragussa, Editorial #10 , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Ana Paula Compagnucci, Ana Mohaded, A ittle cinema with a lot of people inside. About Ana Mohaded's films , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Paola Solá, XXX. Review of the book Cines regionales en cruce: un panorama del cine argentino desde un abordaje descentralizado , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Ximena Triquell, Pensar “con el cine” una vez más: tercer libro del equipo de Cine, Política y Derechos Humanos , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Marcela Visconti, The pulse of a time. Affective and activist networks for women’s film (Argentine, 1988) , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Juan Manuel Velis, Retrospectives of La Plata cinema: politics and aesthetics in three films , Toma Uno: No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales
Cristina-Andrea Siragusa, Alejandro R. González, Editorial #10. Animation as artistic, cultural, social and communication phenomenon , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
María Lorenzo Hernández, The transforming power of animation on Street Art , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
María-Constanza Curatitoli, Materialities and expressiveness in Latin American short films with stop motion techniques , Toma Uno: No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon
Cristina Siragusa, Ana Paula Compagnucci, Mapping [from/over/to] thresholds: Review of the book Estudios sobre cine. (Pos)memoria, cuerpo, género , Toma Uno: No. 9 (2021): Politics, the political, policies, in Cinema and Audiovisual Arts

1-10 of 96 Next

You may also start an advanced similarity search for this article.

Most read articles by the same author(s)

Alejandro Rodrigo González, Animation: a space for crossing, meeting and audiovisual renovation. , Toma Uno: No. 6 (2018): Breakthrough cinemas: New ways of making and thinking about cinema throughout history.
Alejandro Rodrigo González, ¿Cuál es el cine experimental de América Latina? , Toma Uno: No. 2 (2013): El cine y las otras artes