A experiência periférica das bordas no Cinema Brasileiro

Abstract

This article deals with the cinematic experience of what I call Peripheral Border Cinema, the point of view of a specific set of fictional films, and performed with very low budget and poor techniques are characterized by a very specific form of appropriation imitative and fragmentary film genres, previously shown in movie theaters or on television, plus data that mark their belonging to a particular cultural and geographic region of Brazil. Such films, which are constituted as a variant of the Border Cinema, are made by self-taught and without any academic achievers, residents of certain inland towns or inhabitants of the suburbs of large cities, and with the participation and role of the communities in which they are performed. My purpose is to present, analyze and verify the specific elements that make up this peripheral mode Brazilian borders cinema, from three films of its most representative filmmakers / actors: Aldenir Coti / Rambu, Simeão Martiniano and Manoel Loreno / Seu Manoelzinho.