“Through the eye of representation”: On stereotypes and communication

Main Article Content

Liv Sovik

Abstract

Abstract: This article takes as its reference and methodological model “The Spectacle of the ‘Other’”, by Stuart Hall, a chapter from an Open University textbook. This chapter teaches theories of difference and of the stereotype, includes a selection of images of the black body, composing a historical series of these images, and concludes with strategies to contest stereotypes. With a view to contributing to research and teaching in culture studies and communication from a decolonial perspective, this article makes a close reading of Hall’s chapter with a view to understanding how it can be read far away from its original cultural setting. It reviews theories of the stereotype read in Brazil and expands on Homi Bhabha’s reading of the stereotype in terms of fetishism; it discusses the photograph that closes Hall’s text as an illustration of the most effective way of contesting stereotypes, “seeing through the eye of representation.” In addition, “The Spectacle of the ‘Other’” is read as both in tune with and removed from Brazilian cultural history and we suggest the inclusion of the ethnographic exhibitions known as “human zoos”, as part of the history of mass culture that forms the basis for our discussions of media and communication theory and of racism. The article fleshes out the decolonial esthetic Hall suggests and rereads Brazilian cultural history in a way that fills in a blank shown up by Hall’s text and, as a result, calls for a rereading of classics of communication and cultural theory from this new perspective. Its conclusions are relevant to teaching communication and cultural studies and to the research and critique of racist stereotypes.

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How to Cite
Sovik, L. (2020). “Through the eye of representation”: On stereotypes and communication. Heterotopías, 3(6), 1–27. Retrieved from https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31839
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Author Biography

Liv Sovik, Universidade Federal de Río de Janeiro

Liv Sovik has a degree in Literature from Yale University, a PhD in Communication Sciences from the University of São Paulo, and is a full professor at the School of Communication of the Federal University of Rio de Janeiro.  She is the organizer of the collection of texts by the black cultural theorist Stuart Hall, Da Diáspora: identidades e mediações culturais (UFMG, 2003) and author of Aqui ninguém é branco (Aeroplano, 2009), about the discursive mechanisms of the valorization of whiteness in Brazil and Tropicália Rex: popular music and Brazilian culture (Mauad, 2018), of essays on Tropicalism as a key to interpretation and corpus of thought about Brazil. His work is interdisciplinary in the mould of Cultural Studies. Often using Brazilian popular music and its history as a starting point, he studies the historical conditions and theoretical and social issues that arise from Brazilian identity discourses, especially in their interaction with the global context. He is also interested in issues of racism and anti-racism and in non-logocentric epistemologies, their pedagogies and definitions of rigor.

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