Aira on the carousel
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Abstract
This article approaches the aesthetic proposal of César Aira's writing. For this purpose, the concept of the bricoleur artist has been constructed from the essay-poetic writing of the writer. The aforementioned concept has also been used in the heuristic design of a textual device that may allows us to read in a poetic key Aira’s inflection in the alussion to the becoming line that the Macedonio’s moment implies for the writing system of the argentine literature in 20th century. It is worth saying that in the system of proper names that genealogize the Aira’s inflection two eminent tutelary presences of the aireano system are included, we refer with this words to Marcel Duchamp and Raymond Rusell. It is since the artistic inventiveness, proposed by the modern concepts of both proper names for the general system of arts, that it is able to built the artistic becoming machine which is the aireana writing.
The Aira carousel would be a device to operate with a reading that moves and travels trough the essays texts of the aireana writing to deline more than a reader, a reading space of multiples writings.
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References
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