Foreword to Ticio Escobar, "Praise of Silence"

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Published: Dec 31, 2019
Keywords:
Ticio Escobar, reinvention of everyday, contemporary art

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George Yúdice
Universidad de Miami
Ticio Escobar
Museo del Barro (Asunción del Paraguay)

Abstract

George Yúdice and Ticio Escobar, two notable Latin American intellectuals, one prologing, the other re-editing, cross and link temporalities in reverse and propose a game of looks around art and the market.

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How to Cite
Yúdice, G., & Escobar, T. (2019). Foreword to Ticio Escobar, "Praise of Silence". Heterotopías, 2(4), 1–13. Retrieved from https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27422
Issue
Vol. 2 No. 4 (2019): “Languages and dissenting speeches”
Section
Zona de debate

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Author Biographies

George Yúdice, Universidad de Miami

Profesor de Estudios Latinoamericanos en la Universidad de Miami. Investiga artes, prácticas e industrias culturales y creativas –música, audiovisual y artes visuales– y los nuevos fenómenos estéticos en la era digital. Es autor, entre otros títulos, de El recurso de la cultura (Gedisa, 2002); Política Cultural (Gedisa, 2004); Nuevas tecnologías, música y experiencia (Gedisa, 2007); Culturas emergentes en el mundo hispano de Estados Unidos (Fundación Alternativas, 2009); Políticas culturais para a diversidade: lacunas inquietantes (2016). Ha publicado más de 150 artículos en revistas indexadas.

Ticio Escobar, Museo del Barro (Asunción del Paraguay)

George Yúdice and Ticio Escobar, two notable Latin American intellectuals, one prologing, the other re-editing, cross and link temporalities in reverse and propose a game of looks around art and the market.

References

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Yúdice, G. (2018) “Hacia un nuevo paradigma institucional”. Atlántica: Revista de Arte y Pensamiento. Recuperado de http://www.revistaatlantica.com/contribution/towards-new-institutional-paradigm/