Dissidence and desired spaces. The irruption of a retreat knowledge in the Argentinian rock at the beginning of the 70’s.
Article Sidebar
Main Article Content
Abstract
We present here part of the results from a wider study about discursive regularization processes in the beginnings (1965-1975) of the musical production field which, in Argentina, was called rock nacional. We are supported by a materialistic discourse analysis theoretical framework, which sees regularization as the stabilization of pre-constructed entities and of the object building modes which characterize the discursive memory in a specific domain. In this article, we have selected a specific section from this wider study: a destabilization period in the early stage of national rock in which the dominant regularization co-existed with a partial deregulation. Our aim is to characterize the discursive materiality in such deregulation. For that, we will first address to a synthesis of what we propose as traces of the dominant regularization in the first years of the Argentinian rock, an explanatory construction we have reached in our wider study, by observing all the recordings in this field until the ending of the first bands between 1970 and 1971. After this synthesis, we will present, as case studies, a series of compositions recorded between 1971 and 1973, in which we may observe changes in terms of the construction of certain discourse objects, of the dominant configurations for the representation of personal entities, and of enunciative scenography traces, mainly the recurring topographies. Although our analyses are based on verbal materiality, we have studied sonority and interpretation aspects in the singing as well. We have concluded that the detected changes are related to the appearance of a subject position, characterized by what we have called retreat knowledge. We have assumed that this knowledge comes from a perception that, facing the growing violent political confrontation of that time, used to focus mainly on threats and losses, while other perspectives and voices in the cultural field would focus more on advances.
Downloads
Article Details
Those authors who have publications with this journal, accept the following terms: Those authors who have publications with this journal, accept the following terms:
a. The authors will keep their copyright and guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution - Non-Commercial - Share Alike (by-nc-sa) Attribution License; no commercial use of the original work or any derivative works is allowed, the distribution of which must be done with a license equal to the one that regulates the original work.
b. Authors may adopt other non-exclusive license agreements for the distribution of the published version of the work (e.g., deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this journal is indicated.
c. Authors are allowed and recommended to disseminate their work through the Internet (e.g. in institutional telematic archives or on their website) before and during the submission process, which may lead to interesting exchanges and increase the number of citations of the published work. (See The effect of open access).
References
Aroskind, R. (2003). El país del desarrollo posible. En James, D. (org.). Violencia, proscripción y autoritarismo (1955-1976) (pp. 63-115). Buenos Aires: Editorial Sudamericana.
Bourdieu, P. ([1976] 2003). Algunas propiedades de los campos. Trad. de Alberto Escurdia. En Bourdieu, P. Campo de poder, campo intelectual. Itinerario de un concepto (pp. 89-93). Buenos Aires: Quadrata.
Carnicer, L. (2015). Los spirituals porteños de Manal. Trabajo presentado en el II Congresso Internacional de Estudos do Rock. Cascavel: UNIOESTE. Recuperado de https://docplayer.es/42721720-Los-spirituals-portenos-de-manal-lucio-raul-carnicer-1-introduccion.html
Colomba, D. (2010). Letras de rock nacional. Géneros, estilos y transposiciones. (Tesis de Doctorado). Rosario: Universidad Nacional de Rosario.
Conde, O. (2007). Poéticas del rock. Buenos Aires: Marcelo H Oliveri Editor.
Courtine, J.-J. (1981). Quelques problèmes théoriques et méthodologiques en analyse du discours, à propos du discours communiste adressé aux chrêtiens. Langages, 62, 9-126.
Díaz, C. (2005). Libro de viajes y extravíos: un recorrido por el rock argentino 1965-1985. Córdoba: Narvaja Editor.
Fanjul, A.P. (2017). Mudança, consternação. Um estudo sobre o discurso no primeiro “rock argentino”. (Tesis de Livre Docência). São Paulo: Universidade de São Paulo. Recuperado de https://teses.usp.br/teses/disponiveis/livredocencia/8/tde-10072017-103718/pt-br.php
Foucault, M. (1969), L´ archéologie du savoir. Paris: Gallimard.
Frith, S. (2014). Ritos de la interpretación. Sobre el valor de la música popular. Trad. de Fermín Rodríguez. Buenos Aires: Paidós.
Gobello, M. (1999). Banderas en tu corazón. Apuntes sobre el mito de Los Redondos. Monte Grande: Prego.
Godoy Sepúlveda, E. (2012). Dictadura militar y lucha armada en Argentina. La fuga de Rawson y la masacre de Trelew (1972). Tiempo histórico, 4, 23-41. Santiago de Chile. Recuperado de http://ojs.academia.cl/index.php/tiempohistorico/article/view/231/290
Gordillo, M. (2003). Protesta, rebelión y movilización: de la resistencia a la lucha armada (1955-1973). En James, D. Violencia, proscripción y autoritarismo (1955-1976) (pp. 329-380). Buenos Aires: Editorial Sudamericana.
Grinberg, M. (2008). Cómo vino la mano. Orígenes del rock argentino. Buenos Aires: Gourmet Musical.
Jacoby, R. (2011). El deseo nace del derrumbe. Acciones, conceptos, escritos. Edición a cargo de Ana Longoni. Barcelona: Ediciones de la Central.
Maingueneau, D. (2001). O contexto da obra literária. Trad. de Sírio Possenti. São Paulo: Martins Fontes.
Meingueneau, D. (2008). Cenas da Enunciação. Trad. de Maria Cecília Perez de Sousa e Silva. São Paulo: Parábola.
Manzano, V. (2014). Rock National and Revolutionary Politics. The Making of a Youth Culture of Contestation in Argentina (1966-1976). The Americas, 70-3, 393-427.
Mereles, H. (2016). El proceso represivo en los años 70 constitucionales. De la “depuración” interna del peronismo al accionar de las organizaciones paraestatales. En Águila, G.; Garaño, S., y Scatizza, P. (comp.) Represión estatal y violencia paraestatal en la historia reciente argentina. Nuevos abordajes a 40 años del golpe de Estado (pp. 99-123). La Plata: Editorial de la UNLP.
Pêcheux, M. ([1982] 2011). Leitura e memória: projeto de pesquisa. Trad de Tânia Clemente de Souza. En Orlandi, E. (org.). Análise de discurso. Michel Pêcheux (pp; 141-150). Campinas: Pontes.
Pêcheux, M. ([1983] 2007). Papel da memória. Trad. de José Horta Nunes. En Achard, P. y otros. Papel da memória (pp. 49-56). Campinas: Pontes.
Provéndola, Juan. (2015). Rockpolitik. 50 años de rock nacional y sus vínculos con el poder político argentino. Buenos Aires: EUDEBA.
Rozitchner, L. (1968). La izquierda sin sujeto. Pensamiento crítico, 12, 151-183.
Silva, F. (2013). Sartre e o humanismo. São Paulo: Barcarolla.
Terán, O. (1991). Nuestros años sesentas. Buenos Aires: Ed. Puntosur.
Terán, O. (2008). Historia de las ideas en la Argentina. Diez lecciones iniciales, 1810-1980. Buenos Aires: Siglo XXI.
Zoppi Fontana, M. (2014). A arte de cair fora. O lugar do terceiro na enunciação. Ecos, 2, 59-69.