Debinarize. Transvestite Museum of Peru as incarnated and fictional self-enunciation

Authors

  • Albeley Beatriz Rodriguez Bencomo Universidad Andina Simón Bolívar

Keywords:

transvestite, Latin American contemporary art, Giuseppe Campuzano

Abstract

I intend to probe the value of the simulacrum, as a tactic used from the Transvestite Museum of Peru, to stimulate the collapse of the arguments of patriarchal-colonial-modern institutionalism. I also present the contributions of this project that I have found as a legacy for the strengthening of a episteme debinarized, and propose ways of healing colonial-patriarchal wounds from re-existence, poiesis, affinities with conflicting miscegenation and the actioning transvestite that amalgamates them.

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Author Biography

Albeley Beatriz Rodriguez Bencomo, Universidad Andina Simón Bolívar

Albeley Rodríguez es Candidata a Doctora en Estudios Culturales Latinoamericanos por la Universidad Andina Simón Bolívar (Sede Ecuador), es Magister en Estudios de la Cultura, Mención Políticas Culturales por la misma casa de estudios (2010). Tiene estudios de maestría en Museología (UNEFM, Falcón- Venezuela), y es Licenciada en Letras, Mención Historia del Arte, (ULA, Mérida, 2000). Fue curadora del Museo de Arte Contemporáneo de Caracas desde 2003 hasta 2015 y Directora de Posgrado de la Universidad de las Artes (Guayaquil, Ecuador) entre 2015 y 2016. Es autora del libro Cuerpos irreales + arte insumiso en la obra de Argelia Bravo (2014).

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Published

2017-07-19

How to Cite

Rodriguez Bencomo, A. B. (2017). Debinarize. Transvestite Museum of Peru as incarnated and fictional self-enunciation. Interstices of Politics and Culture. Latin American Interventions, 6(11), 185–212. Retrieved from https://revistas.unc.edu.ar/index.php/intersticios/article/view/16953

Issue

Vol. 6 No. 11 (2017): Intervenciones poscoloniales y contexto

Section

Diálogos y debates

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