Transiciones de la narrativa contemporánea

Authors

  • Nancy Viejo Universidad de Buenos Aires

Keywords:

narrative, postmodernism, metafiction

Abstract

Undoubtedly, Borges' narrative is at the forefront of a number of procedures and a way of thinking about literature that characterized the cultural tendency by mid XXth century. One of the iconic stories in this sense, “Death and the Compass” (1942), can be read as a theory of interpretation, the construction of meaning and literature. This paper reflects on the transition of that paradigm to the literature of the first decade of the XXIst century. It carries out a comparative analysis of that story and one of the texts that appears in The interrogative mood: A Novel? (2009), written by the American author Padgett Powell, and which is considered to be an innovative proposal in the field of experimentation of contemporary narrative. This comparison will also allow us to confront the different theoretical frameworks that have constituted the, now classic, postmodern textual paradigm with contemporary theoretical reflections.

Downloads

Download data is not yet available.

References

Barth, John The Literature of Exhaustion and the Literature of Replenishment. Northridge: Lord John Press, 1982.

Baudrillard, Jean. Cultura y simulacro. Editorial Kairós: Barcelona, 1978.

Bertens, Hans. “The postmodern Weltanschauung and its Reason to Modernism: an Introductory Survey”, en Joseph Natoli y Linda Hutcheon (eds.) A Postmodern Reader, Albany, NY: SUNY Press, 1993. 25-70.

Dumitrescu, Alexandra. “Interconnections in Blakean and Metamodern Space”. On Space. Issue 7. Deakin University, 2007. http://www.doubledialogues.com/article/interconnections-in-blakean-and-metamodern-space/

Eshelman, Raoul 2001. “Performatism in Architecture. On Framing and the Spatial Realization of Ostensivity”, en Anthropoetics. Vol. 7, Nº2. (Fall 2001 / Winter 2002). http://www.anthropoetics.ucla.edu/ap0702/arch2.htm.

Eshelman, Raoul (2001). “Performatism, or the End of Postmodernism”, en Anthropoetics. Vol. 6, Nº2. (Fall 2000 / Winter 2001). http://www.anthropoetics.ucla.edu/ap0602/perform.htm.

Eshelman, Raoul (2007). “Performatism in Art”, en Anthropoetics. Vol. 13, Nº3. (Fall 2007 / Winter 2008). http://www.anthropoetics.ucla.edu/ap1303/1303eshelman.htm.

Foster Wallace, David. “E Unibus Pluram: Televisión y narrativa americana”, en Algo supuestamente divertido que nunca volveré a hacer. Barcelona: Mondadori, 2001.

Hutcheon, Linda. Irony's Edge: The Theory and Politics of Irony. New York: Routledge, 2004.

Hutcheon, Linda. The Politics of Postmodernism. New York: Routledge, 1989.

Leitch, Vincent. Literary Criticism in the 21st Century Theory Renaissance. London-New York: Bloomsbury, 2014.

Powell, Padgett. El sentido interrogativo. Barcelona: Alpha Decay, 2012.

Scholes, Robert E.. Fabulation and Metafiction. Urbana and Chicago: University of Illinois Press, 1979.

Vermeulen, Timotheus y Robin van den Akker. “Notes on metamodernism”, Journal of Aesthetics & Culture, Vol. 2, 2010.

Published

2021-11-30

How to Cite

Viejo, N. . (2021). Transiciones de la narrativa contemporánea. Revista De Culturas Y Literaturas Comparadas, (11). Retrieved from https://revistas.unc.edu.ar/index.php/CultyLit/article/view/35678