Topothesics reserches. Between the real and the apparent.
The implication of representation in the reality perceived through the landscape
Keywords:
Landscape, Writing, Topography, Contemporary artAbstract
Topothesia and topography were the concepts used on the ancient Greece to define what we
know as landscape today. In opposition to topography, topothesia is the description of a non-exis-
tant place. From these related concepts, an artistic production was developed on three blocks:
thopotesia, writing and landscape. Through them we can see the possibilities that the image adopts
in front of the real and the apparent: how the topographic can become topothesic and the other way
around.
Downloads
References
Barthes, R. (1987). El susurro del lenguaje: Más allá de la palabra y de la escritura. Buenos Aires: Paidós.
Berger, J. (2012). Sobre el dibujo. Barcelona: Gustavo Gill.
Maderuelo, J., García Guatas, M. y Codesal, J. (2017, Marzo 2017). Presentación de Paisaje y pensamiento [registro en vivo]. Madrid: Centro de Arte y Naturaleza (CDAN). https://www.youtube.com/watch?v=3PAMWJOKUpw
Guasch, A. M. (2000). El arte último del siglo XX. Del posminimalismo a lo multicultural. Madrid: Alianza Forma.
Krieger, M. (1992). El problema de la ekphrasis: imágenes y palabras, espacio y tiempo y la obra literaria (A. Romero, trad.). John Hopkins University Press.
Maderuelo, J. (2007). Paisaje y arte. Madrid: Abada.
Martínez de Pisón, E. (2009). Miradas sobre el paisaje. Madrid: Biblioteca Nueva.
Morgan, R.C. (2003). Del arte a la idea. Ensayos sobre arte conceptual. Madrid: Akal.
Seel, M. (2010). Estética del aparecer. Buenos Aires: Katz.
Sontag, S. (2006). Sobre la fotografía. Mexico: Alfaguara.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Sendas
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Commercial use of the original work and any derivative works is not permitted, and distribution of derivative works must be made under a license equal to that which governs the original work.