The Return to the Homeland: Pilar’s Intercultural Hybridity in Dreaming in Cuban

Authors

  • Alicia Collado Universidad Nacional de Río Cuarto

Keywords:

intercultural hybridity, identity, dreams, spirituality

Abstract

This work explores the acceptance of intercultural hybridity through the return to the homeland as a fundamental step towards the reconstruction of identity in Pilar, one of the protagonists of Dreaming in Cuban (1992) by Cristina García. From a postcolonial perspective, the diverse means through which Pilar attempts to return to Cuba after decades of involuntary exile are analyzed and discussed. Therefore, dreams, spirituality and the physical return to the geographic space of the homeland are approached as attempts to reconnect to the essence of her fragmented identity which, in Pilar’s case, was affected by the disruptive power of her family’s exile. Finally, it is concluded that these diverse means to reconnect to her roots highlight her intercultural hybridity as a completely liberating and empowering component of her identity.

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Author Biography

  • Alicia Collado, Universidad Nacional de Río Cuarto

    Es Magíster en Inglés, mención Literatura Angloamericana (Universidad Nacional de Río Cuarto). Se desempeña actualmente como Profesora Responsable del espacio curricular Culturas anglófonas del Instituto de Formación Docente Continua de San Luis. Entre sus publicaciones se destacan Think Outside the Box: EFL Activities for Young Adult Literature (2014, Editorial Dunken), “The Role of Language in the (Re)construction of Female Identity in 'How the García Girls Lost Their Accent'” (NRLE, número 14, año 2011).

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Published

2016-12-01

How to Cite

The Return to the Homeland: Pilar’s Intercultural Hybridity in Dreaming in Cuban. (2016). Revista De Culturas Y Literaturas Comparadas, 6. https://revistas.unc.edu.ar/index.php/CultyLit/article/view/16383