Apology of Listening as an Active Phenomenon
Keywords:
actor, perception, encounterAbstract
By placing performance as a fundamental axis of the happening and the theatre as an intrinsically collective phenomenon, we wonder about the place that the other holds in the possibility of creating happenings. We think that to emancipate the actor, it is necessary to encourage the development of asking for an intelligence of the binding.
This study is not a search for a methodological scene work, but an ethical gaze over it that allows us to horizontalize the practice in favor of dialogue, so that the unique and hierarchical visions of art are not the only ones to prevail.
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