The social gesture and the extra-daily body

An approach to stage construction

Authors

  • Lucía Castaños Manavella FACULTAD DE ARTES – UNIVERSIDAD NACIONAL DE CÓRDOBA
  • Victoria Garay FACULTAD DE ARTES – UNIVERSIDAD NACIONAL DE CÓRDOBA
  • Ludmila Elizabeth Rossetti FACULTAD DE ARTES – UNIVERSIDAD NACIONAL DE CÓRDOBA

Keywords:

social gesture, extra-daily body, dance-theatre

Abstract

The following proposal accounts for the research process carried out in 2014/2015 by the UNC Bachelor of Theatre. In the same one we approach "the relation between the social gesture and the extra-daily body as procedure of scenic construction".

We approach the social gesture as materiality that allows us to form an extra-daily body. The language chosen to carry out this is dance-theatre.

It is the bodies and the gesture that allow us to establish stages of creation through which we pass in order to approach a scenic event. In this process, we perceive the influence of improvisation patterns and the singular resolution of the performers, which in turn are reflections of our theoretical research, crossed by concepts of anthropology, sociology, philosophy, dance and theatre. In addition, we realize how this relationship between the extra-daily body and the social gesture makes it possible to compose a stage show. On the other hand, we recognize the influence on the research process of the scenographic elements that compose the scene.

Downloads

Download data is not yet available.

References

Agamben, G. (2001). “Medios sin fin. Notas sobre la política”. Valencia, España. Editorial Pre-Textos.

Barba, E. (1994). “La canoa de papel. Tratado de Antropología Teatral”, Buenos Aires, Argentina. Catálogos Editora.

Bartís, R. (2003). “Cancha con Niebla. Teatro Perdido: fragmentos”. Buenos Aires, Argentina. Colección ATUEL/Teatro.

Bene, C. y Deleuze, G. (1979) “Superposiciones”. Buenos Aires, Argentina. Ediciones Artes del Sur.

De Torres, J. (1999). “Las Mil Caras del Mimo”. Madrid, España. Editorial Fundamentos.

Dubatti, J. (2002). “El Teatro Jeroglífico. Herramientas de poética teatral”. Buenos Aires, Argentina. Editorial Atuel.

Kantor, T. (1987). “El Teatro de la Muerte (fragmentos)”. Barcelona, España. Ediciones de la Flor.

Langer, S. (1966) “Los Problemas del Arte”. Buenos Aires, Argentina. Ediciones Infinito.

Le Breton, D. (1999) “Las Pasiones Ordinarias. Antropología de las Emociones”. Buenos Aires, Argentina. Ediciones Nueva Visión.

Merleau-Ponty, M. (1993). “Fenomenología de la Percepción”. Barcelona, España. Editorial Planeta de Agostini.

Pavis, P. (2003). “Diccionario del Teatro. Dramaturgia, estética y semiología”. Buenos Aires, Argentina. Editorial Paidós SACIF.

Schinca, M. (2008) “Expresión Corporal: Técnicas y expresión del movimiento (4ª ED.)”. Barcelona, España. WOLTERS KLUWER EDUCACION.

Sendas volumen dos

Downloads

Published

2019-11-13

How to Cite

Castaños Manavella, L., Garay, V., & Rossetti, L. E. (2019). The social gesture and the extra-daily body: An approach to stage construction. Sendas, 2(1), 10–25. Retrieved from https://revistas.unc.edu.ar/index.php/sendas/article/view/26397

Issue

Vol. 2 (2019): Making, thinking and writing

Section

Artículos

License

Copyright (c) 2019 Sendas

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Commercial use of the original work and any derivative works is not permitted, and distribution of derivative works must be made under a license equal to that which governs the original work.