Put the pieces back together. Loss and mourning

Authors

  • María Medina-Vicent Universitat Jaume I

DOI:

https://doi.org/10.31056/2250.5415.v12.n1.37380

Keywords:

motherhood, fatherhood, loss, grief, recovery

Abstract

Pieces of a Woman (Kornél Mundruczó, 2020) is a story of loss, a journey through grieving and the attempt to recover, a story of love and pain. Through the seasons, we witness the grieving process of its protagonists, who approach the abrupt loss of their newborn baby in very different ways. These different ways of grieving are intertwined at times, showing incompatibility and assuming the final separation of the couple, as well as the approach of the protagonist to her own mother. The inner reconciliation of the protagonist with what happened, will be the result of an introspective, reflective and inner journey. In this article we will try to walk this path, recomposing the pieces in which both characters, as well as the character of the grandmother, are decomposing throughout the film.

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References

Armstrong, R. (2012). Mourning Films. A Critical Study of Loss and Grieving in Cinema. MacFarland & Company.

Broda, V., & Benhaim, M. (2020). Melancolía y duelo. El duelo de sí mismo: tratamiento de la dimensión irrepresentable de lo real de la muerte en el cine. Ética y Cine Journal, 10(1), 9–27. https://doi.org/10.31056/2250.5415.v10.n1.29191

de Fez, D. (2020). Reina del grito. Un viaje por los miedos femeninos. Blackie Books.

González de Dios, J., Martínez González, C., & Ruiz Lázaro, P. J. (2013). Embarazo y parto en el cine (I): emociones y reflexiones. Rev Pediatr Aten Primaria, 15(375), 177–188.

Lanuza Avello, A., & Ester Casas, B. (2017). La maternidad en el cine y la ficción contemporáneas. SCIO. Revista de Filosofía, 13, 97–119.

Orellana, J. (2007). Como en un espejo, drama humano y sentido religioso en el cine contemporáneo. Editorial Encuentro.

Published

2022-04-20

How to Cite

Medina-Vicent, M. (2022). Put the pieces back together. Loss and mourning. Ética Y Cine Journal, 12(1), 47–55. https://doi.org/10.31056/2250.5415.v12.n1.37380