Virtual reality as a soundscape analysis and design tool
DOI:
https://doi.org/10.59047/2469.0724.v9.n11.41069Keywords:
soundscapes, virtual reality, landscape, design, public spacesAbstract
This work aims to make a contribution about the possible tools and techniques for the study of soundscapes and the sounds that constitute it, incorporating them as a variable in the design of an open public space. Soundscape design involves integrating different components intended not only to mitigate annoying noise, but also contribute to the quality of life in outdoor spaces. The proposal is based on a methodology that seeks to incorporate new tools framed in the immersive and augmented experience using virtual reality. A sound scene evaluation technique for the design of open urban spaces was proposed and verified, incorporating the use of virtual or augmented reality in the process. A survey of the study site was carried out, its simulation in virtual reality through a 3D model and finally a landscaping intervention was analyzed on the selected site with the corresponding auralization of the sound scene. The technique makes it possible to delve into the study of the variables that influence the sound perception of outdoor spaces, the types of sources and the level of perception and/or annoyance they produce in users.
Downloads
References
Botella Nicolás, A. M., Hurtado Soler, A. y Ramos Ahijado, S. (2018). Innovación educativa a través de la realidad virtual y el paisaje sonoro. Creativity and Educational Review, (2), 113-127. https://doi.org/10.7203/CREATIVITY.1.13628 DOI: https://doi.org/10.7203/CREATIVITY.2.13628
Cárdenas-Soler, R. N. Martínez-Chaparro, D. (2015). El paisaje sonoro, una aproximación teórica desde la semiótica. Revista de investigación, desarrollo e innovación, 5(2), 129-140. https://doi.org/10.19053/20278306.3717 DOI: https://doi.org/10.19053/20278306.3717
Chung, A., To, W. M. & Schulte-Fortkamp, B. (2016). Next generation soundscape design using virtual reality technologies. The Journal of the Acoustical Society of America, 140(4), 3041-3041. https://doi.org/10.1121/2.0000416 DOI: https://doi.org/10.1121/1.4969442
German-González, M. y Santillán, A. O. (2006). Del concepto de ruido urbano al de paisaje sonoro. Revista Bitácora Urbano Territorial, 10(1), 39-52. https://www.redalyc.org/articulo.oa?id=74831071004
Jo, Hyun In & Jeon, Jin Yong. (2022). Perception of urban soundscape and landscape using different visual environment reproduction methods in virtual reality. Applied Acoustics, (186), https://doi.org/10.1016/j.apacoust.2021.108498. DOI: https://doi.org/10.1016/j.apacoust.2021.108498
López, J. G. (2007). Soundwalking. Del paseo sonoro “in-situ” a la escucha aumentada. Paseantes, viajeros e paisajes, Xoan Xil. http://www.unruidosecreto.net/textos/texto-soundwalking
Maristany, A., Baigorri, G. y Coll, M. (2020). Ambiente, tecnología, diseño sustentable: las preexistencias ambientales y su impacto en la calidad de vida, el confort y la eficiencia energética. (1a ed comp.) Facultad de Arquitectura, Urbanismo y Diseño de la Universidad Nacional de Córdoba.
Maristany, A. R, & Recuero, L. M. (2010, 27 de agosto). Influence of the semantic content of urban sounds in the identity of outer spaces. 20th International Congress on Acoustics, Sidney, Australia, 952-957.
Maristany, A. R, Recuero L. M. y Asensio Rivera, C. (2015, 17 de octubre). Caracterización del paisaje sonoro en los espacios urbanos abiertos. XIII Encontro Nacional e IX Encontro Latinoamericano de Conforto no Ambiente Construido, Campinas, Brasil.
Maristany, A. R. (2016). Paisaje sonoro urbano “Soundwalk” como método de análisis integral. Pensum, 2(2), 41-56 DOI: https://doi.org/10.59047/2469.0724.v2.n2.16431
Maristany, A. R., & Recuero L. M. (2010, 16 de junio). Relationship between objective and subjective indicators in urban soundscape analysis. The case of Cordoba, Argentina. 39th International Congress and Exposition on Noise Control Engineering, Lisboa, Portugal, 564-572.
To W. M., Chung A. & Schulte-Fortkamp B. (2016) Next generation soundscape design using virtual reality technologies. Proceedings of Meetings on Acoustics, (29), https://doi.org/10.1121/2.0000416 DOI: https://doi.org/10.1121/2.0000416
Schafer R. M. (1977). The tuning of the world. Random House.
Van Renterghem, T., Sun, K., Filipan, K., Vanhecke, K., De Pessemier, T., De Coensel, B., & Botteldooren, D. (2019, 13 de septiembre). Interactive soundscape augmentation of an urban park in a real and virtual setting. 23rd International Congress on Acoustics, Aachen, Alemania, 899-903
Van Renterghem, T., Vanhecke, K., Filipan, K., Sun, K., De Pessemier, T., De Coensel, B., Joseph W. & Botteldooren, D. (2020). Interactive soundscape augmentation by natural sounds in a noise polluted urban park, Landscape and Urban Planning, (194). https://doi.org/10.1016/j.landurbplan.2019.103705. DOI: https://doi.org/10.1016/j.landurbplan.2019.103705
Venot, F., & Sémidor, C. (2006, 8 de septiembre). The soundwalk as an operational component for urban design. 23rd International Conference on Passive and Low Energy Architecture, Geneva, Suiza.
Yelicich, B., Abadia, L., & Maristany, A. R. (2020). Contaminación acústica – Mapa de Ruido de la Ciudad de Córdoba. Facultad de Arquitectura, Urbanismo y Diseño. Centro de Investigaciones Acústicas y Luminotécnicas.
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Octavio Lopez, Germán Baigorrí, Arturo Maristany
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish in this journal agree to the following terms:
a. Authors retain copyright and guarantee to the journal the right to be the first publication of the work as well as licensed under a Creative Commons Attribution-ShareAlike 4 license.
b. Authors may separately establish additional agreements for non-exclusive distribution of the version of the work published in the journal (e.g., placing it in an institutional repository or publishing it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to disseminate their work electronically (e.g., in institutional repositories or on their own website) before and during the submission process, as this may result in productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
d. 4.0 International Creative Commons Attribution-ShareAlike 4.0 License.
