The Desire for the Word in Thomas Bernhard’s Relatos autobiográficos

Authors

  • Sandra Fernández Romero Universidad de Murcia. Facultad de Letras

Keywords:

Thomas Bernhard, autobiography, thruth, word

Abstract

It has been widely upheld that it is within his Relatos autobiográficos that the Austrian writer Thomas Bernhard consolidates his style. The aim of these pieces of work would be to narrate a series of circumstances that shaped the first years of the author’s life. Nevertheless, Bernhard ends up becoming aware of the impossibility to narrate those years. Consequently, the language is devoid of all its capacity of communication and expression. Thus, this article aims to study the way in which the research of the word itself becomes the reason for being of the text, and, at the same time, the connection that seems to be established between text and subject.

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References

Bernhard, T. (1984). El sótano. (Trad. de Miguel Sáenz). Anagrama.

Bernhard, T. (1998). Un encuentro. Conversaciones con Krista Fleischmann. Tusquets.

Bernhard, T. (2001). El origen. En Relatos autobiográficos. (Trad. de Miguel Sáenz). Anagrama.

Bernhard, T. (2009). Mis premios. (Trad. de Miguel Sáenz). Alianza Editorial.

Boehm, S. (1995). Traducir a Thomas Bernhard: una empresa polémica. En Tema y variación de literatura, (4), 171-180.

Hofmann, K. (1991). Conversaciones con Thomas Bernhard. (Trad. de Miguel Sáenz). Anagrama.

Marías, J. (1998). Negra espalda del tiempo. Anagrama.

Marías, J. (2002). Tu rostro mañana 1. Fiebre y lanza. Alfaguara.

Marías, J. (2014). Autobiografía y ficción. En Literatura y fantasma. De Bolsillo.

Ortega y Gasset, J. (2009). La deshumanización del arte. Ideas sobre la novela. Castalia.

Radax, F. (Director) (1970). Thomas Benhard: Drei Tage [Documental].

Published

2024-07-05

How to Cite

Fernández Romero, S. (2024). The Desire for the Word in Thomas Bernhard’s Relatos autobiográficos. Nota Al Margen, 2(3), 83–96. Retrieved from https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44553

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