Cinema as a passer of the real

Authors

  • Eduardo Laso Universidad de Buenos Aires
  • Juan Jorge Michel Fariña Universidad de Buenos Aires

DOI:

https://doi.org/10.31056/2250.5415.v10.n1.29222

Keywords:

Cinema, Creative process, Psychoanalysis, Trauma

Abstract

Cinema allows words and images to be given to the catastrophic event. It offers the possibility of operating with the real traumatic and consequently
symbolizing it. Both psychoanalysis and art undertake, through different routes, this arduous task of passing the real to the symbolic, of inscribing
the impossible. It is about giving images, words and representations to what is initially absent, silenced, rejected. So that this real ceases to be a mortification made open wound, installed as a vain repetition. In this sense, cinema is a passer from the real to the symbolic through images. This article
introduces this thesis through examples from painting, performance and cinema.

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References

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Published

2020-07-02

How to Cite

Laso, E., & Michel Fariña, J. J. (2020). Cinema as a passer of the real. Ética Y Cine Journal, 10(1), 87–93. https://doi.org/10.31056/2250.5415.v10.n1.29222