Towards a critique of the human sciences

Authors

  • Iván Gabriel Dalmau CONICET – UNSAM

DOI:

https://doi.org/10.31056/2250.5415.v6.n2.16588

Keywords:

Foucault, Pasolini, Knowledge, Body, Human

Abstract

This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political nature to the production of knowledge concerning “human”, for which we will focus on the Pasolini’s film.

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References

A.A.V.V. (2005), Pier Paolo Pasolini. Palabra de Corsario, Madrid: Círculo de Bellas Artes.

Foucault, M. (2008) Le gouvernement de soi et des autres. Cours au Collège de France.1982 – 1983, Paris : Éditions Gallimard

SEUIL.

Gros, F. (2008), « Situation du cours », en: Foucault, M. (2008), Le gouvernement de soi et des autres. Cours au Collège de France.

– 1983, Paris : Éditions Gallimard SEUIL.

Gutting, G. (2005), Foucault. A Very Short Introduction, UK: Oxford University Press.

Raffin, M. (2015) “La verdad y las formas políticas: la lectura temprana de la tragedia de Edipo en Michel

Foucault”, Anacronismo e Irrupción. Revista de Teoría y Filosofía Política Clásica y Moderna, Vol. 5. No8.

Sauquillo, J., (2005), “Terror”, en: A.A.V.V. (2005), Pier Paolo Pasolini. Palabra de Corsario, Madrid: Círculo de Bellas Artes.

Published

2016-07-01

How to Cite

Dalmau, I. G. (2016). Towards a critique of the human sciences. Ética Y Cine Journal, 6(2), 37–41. https://doi.org/10.31056/2250.5415.v6.n2.16588

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Artículos