The shared-making and the transformation as artistic and vital practices. Interview with Nora Zaga

Article Sidebar

Imagen de portada realizada por Julio Pantoja. Buenos Aires. 2017. Restos de un afiche sobre una pared de la ex Esma. En el poster desgarradp se alcanza a ver una foto de Pablo Lasansky tomada el 30 de marzo de 1982 de la represión a la marcha obrera de la CGT.
PDF (Spanish)
Published: Dec 13, 2023
Keywords:
Scenes from Córdoba;, Methodologies;, Transformation;, Argentine dictatorship;, Collective memory;

Main Article Content

Laura Fobbio
Universidad Nacional de Córdoba. Universidad Provincial de Córdoba. CONICET

Abstract

Interview conducted by Laura Fobbio to Nora Zaga, psychologist, singer, actress and retired university teacher, in November 2023.

Downloads

Download data is not yet available.

Article Details

How to Cite
Fobbio, L. (2023). The shared-making and the transformation as artistic and vital practices. Interview with Nora Zaga. Heterotopías, 6(12), 1-22. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43515
Issue
Vol. 6 No. 12 (2023): Discourses, representations, and appropriations of the contemporary city. A look at urban habitation
Section
Entrevista
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Those authors who have publications with this journal, accept the following terms: Those authors who have publications with this journal, accept the following terms:


a. The authors will keep their copyright and guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution - Non-Commercial - Share Alike (by-nc-sa) Attribution License; no commercial use of the original work or any derivative works is allowed, the distribution of which must be done with a license equal to the one that regulates the original work.

b. Authors may adopt other non-exclusive license agreements for the distribution of the published version of the work (e.g., deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this journal is indicated.

c. Authors are allowed and recommended to disseminate their work through the Internet (e.g. in institutional telematic archives or on their website) before and during the submission process, which may lead to interesting exchanges and increase the number of citations of the published work. (See The effect of open access).

 

Author Biography

Laura Fobbio, Universidad Nacional de Córdoba. Universidad Provincial de Córdoba. CONICET

Laura Fobbio lives in Córdoba (Argentina). She is researcher in scenic arts, teacher and poet. She is Doctor of Letters (National University of Córdoba, UNC), and Assistant Researcher at CONICET (project: “Scenic arts and research at the Provincial University of Córdoba: (re)definitions of practices”). She works as an adjunct professor at the School of Letters (Faculty of Philosophy and Humanities, FFyH, UNC), and as a professor at the Faculty of Art and Design (Provincial University of Córdoba). She directs the research project “Translations of the self-referential in dramaturgies of Córdoba in the 21st century. Part II” (Research Center “María Saleme de Burnichon”, FFyH/ Institute of Performing Arts, University of Buenos Aires), and is a member of the team “Text, Image and translation. German and Dutch literature from the twenty first century” (Research Center of the Faculty of Languages, Secretariat of Science and Technology, UNC). Since May 2023, she has been elected as Extension Secretary of the Argentine Association for Theater Research and Criticism (AINCRIT).

How to Cite

Fobbio, L. (2023). The shared-making and the transformation as artistic and vital practices. Interview with Nora Zaga. Heterotopías, 6(12), 1-22. https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43515

References

Bibliografía

Fobbio, L. y Patrignoni, S. (2011). En el teatro del símeacuerdo. Escenas para niños y acción en Latinoamérica. Recovecos.

Musitano, A. (dir.) (2017a). El Departamento de Teatro, un escenario moderno. Teatro, política y Universidad. Córdoba, 1965-1975. FFyH, UNC/ IAE, UBA. Recuperado de: https://ffyh.unc.edu.ar/publicaciones/?s=teatro%2C+pol%C3%ADtica+y+universidad&post_type=product

Musitano, A. (dir.) (2017b). El nuevo teatro cordobés, 1969-1975. Teatro, política y Universidad. FFyH, UNC/ IAE, UBA. Recuperado de: https://ffyh.unc.edu.ar/publicaciones/?s=teatro%2C+pol%C3%ADtica+y+universidad&post_type=product

Zaga, N. (2011). Lo antirepresivo como principio, lo lúdico como eje del crecimiento y de la socialización. Entrevista realizada por Laura Fobbio. En Fobbio, L. y Patrignoni, S. En el teatro del símeacuerdo. Escenas para niños y acción en Latinoamérica. Recovecos.

Zaga, N. y Musitano, A. (2017). Del Departamento de Arte Escénico al Departamento de Teatro. En Musitano, A. El Departamento de Teatro, un escenario moderno. Teatro, política y Universidad. Córdoba, 1965-1975 (34-105).FFyH, UNC/ IAE, UBA. Recuperado de: https://ffyh.unc.edu.ar/publicaciones/?s=teatro%2C+pol%C3%ADtica+y+universidad&post_type=product